In October 2025, the anthology Moderner Tanz – revisited was published by transcript Verlag. I contributed a chapter that reflects on Rosalia Chladeks dance system as a somatic method. The volume brings together diverse voices from dance research and practice, addressing questions of corporeality, education, and sustainability. It offers insights into current developments and challenges in the field of modern dance and aims to foster dialogue between artistic and academic approaches. More information and a reading sample are available via the publisher:

As part of the New Scholar Forum at the annual conference of the Society for Dance Research (gtf), titled “(In-)Visibilities – Modern Dance Re-Visited,” I had the opportunity to present my bachelor thesis: “The Rosalia Chladek System as a Somatic Method.” The symposium offered a stimulating space for critical reflection on the politics and narratives of modern dance, with a focus on transnational, decolonial, and queer perspectives. It was a rewarding experience to share my research in this multifaceted context and to contribute to a vibrant academic exchange.

“Diffusive Bodies” is a choreographic research project led by Katharina Holzweber, combining physics and dance in a transdisciplinary framework. The work explored how concepts like coherence, superposition, and diffusion can be translated into movement and embodied performance. I participated as a dancer in the research context and contributed to the final performances at the University of Vienna. Performance: February 26 & 27, 2023 – Grand Festive Hall, University of Vienna

“Rave Pt. 2” is a choreographic work by Lisa Kallage, presented at MUK Vienna as part of the choreography evening “Have a Seat.” The piece explores rave culture and collective ecstasy through rhythm, repetition, and trance-like states. I performed as part of the ensemble, engaging with the energetic and immersive atmosphere of the work. Performance: 2022 – MUK Vienna, choreography evening of the 4th year Contemporary Dance Pedagogy